Электронная Библиотека

Lorblanchet M.

Les grottes ornées de la Préhistoire. Nouveaux regards.

Éditions Errance, Paris.1995

Lorblanchet M., Bahn P. (eds.)

Rock Art Studies: the Post-Stylistic Era or Where do we go from here?

Oxbow Monograph 35. Oxford.1993

Lorblanchet M., Labeau M., Valladas H., Cachier H., Arnold M.

From styles to dates. Annex 1, 2

Rock Art Studies: The Post-Stylistic Era or Where do we go from here? Lorblanchet M., Bahn P. (eds.). Oxbow Monograph 35. Oxford, p. 61–76.

Loubser J.H.

The Use of Harris Diagrams in recording, conserving, and interpreting rock paintings

INORA. No.18, p.14–21.

Loy T.H.

On the dating of prehistoric organic residues

The Artefact. Vol.16, p. 46–49.

Lucas H.

Lamaistische Masken

Der Tanz der Schreckensgötter. Kassel.

Lucas H.

La razуn original del misterio teatral tsam

Arte de la Naciуn Buriata. Palma de Mallorca.

Luz Gutiérrez de la M., Hambleton E., Hyland J., Stanley Price N.

The management of World Heritage sites in remote areas. The Sierra de San Francisco, Baja California, Mexico

Conservation and Management of archaeological sites. Vol.1, p. 209–225.

M.J. Morwood and D.R.

Rock art and ethnography / edited

Hobbs . Melbourne, 1992.;Сканировано частично (обложка, титул, содержание);Нет;почистить обложку;

Malotki E.

A new name for rock art discipline: II — Epipentology

Purakala. Vol. 1(1–2).

Mannai-ool M.Kh.

Tuva in the Scythian Period and the kurgan Arzhan

Spellbound by the shaman. Shamanism in Tuva. Antwerp.

Marshack A.

On Paleolithic ochre and the early uses of color and symbol

Current anthropology. Vol. 22, p.188–191.

Marshack A.

An innovative analytical technology: discussion of its present and potential use

RAR. Vol.9(1), p.37–67.

Martynov A., Lomteva A.

Novoromanovskaya Pisanitsa. Petroglyphs on the river Tom in Siberia

International Newsletter on Rock Art. № 8. 1994. Pp. 18–20.

Mar’jašev A.N., Gorjačev A.A., Potapov S.A.

Kazakhstan 1: Choix de petroglyphes du Semirech’e (Felsbilder im Siebenstromland). Répertoire des pétroglyphes d’Asie Centrale. Mémoires de la Mission archéologique Française en Asie Centrale.

Tome V.5. De Boccard.1998

Mawk E.J., Nobbs M.F., Rowe M.W.

Analysis of white pigments from the Olary region, South Australia results

RAR. Vol.13(1).

Mawk E.J., Rowe M.W.

Effect of water on Lower Pecos River rock paintings in Texas

RAR. Vol. 15(1), p.12–16.

McDonald J., Officer K., Jull T., Donahue D., Head J., Ford B.

Investrigating C14 AMS: dating prehistoric rock art in the Sydney Sandstone Basin, Australia

RAR Vol.7(2), p.83–92.

Meighan C.

Prehistoric Rock Paintings in Baja California

American Antiquity. Vol.31(3).

Meighan C.

Analysis of Rock Art in Baja California

Seven Rock Art Sites in Baja California. Ballena Press Publications on North American rock art. №2.

Meighan C.

Comments on rock art recording

RAR. Vol.3(2), p.185–186.

Meighan C.

Archival data sharing network: a response

RAR. Vol.6(2), p.160.

Miklashevich E.

Rock Art Research in Northern and Central Asia in 1995-1999.

Kemerovo, 2007. 60 p.

Molodin V.I., Cheremisin D.V.

Rock art of the Ukok Plateau

International Newsletter on Rock Art. № 8. 1994. Pp. 10–12.

Moore E.A.

A rock art drawing survey

American Indian Rock Art. Freers S.M. (ed.). Vol.22, p.129-152.

Moore E.A.

The recording artist as a professional

Puracala. Vol.4(1-2), p.57–60.

Morwood M.J., Kaiser-Glass Y.

The use of graffiti in the monitoring of community attitudes towards Aboriginal rock art

RAR. Vol.8(2), p.94–98.

Morwood M.J., Walsh G.L., Watchman A.

The dating potential of rock art in the Kimberly, N.W. Australia

RAR. Vol.11(2), p.79–87.

Moure Romanillo A., Bernaldo de Quiros F., Cabrera Valdés V., Valladas H.

New absolute dates for pigments in Cantabrian caves

INORA. No.18. p.26–29

Muench D., Schaafsma P.

Images in Stone.

San Francisco.1995

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